Christopher
Miller, a Speculative Faith contributor, wrote an intriguing blog entitled, We Are Not Storyless! He began with the unthinkable (for a
writer at least) of what it would be like if there were no such thing as story. He did not phrase the question completely in terms
of stories, that is he did not just ask, What if there were no stories, but, What
if there were no such thing as Story. The difference is quite palpable if one
dwells on it. Stories are the concrete, sweat and tears labor of an author that
could not at all be a possibility if there were no such thing as the ideal or
concept of Story. When an author cobbles together characters and
narrative in a plot that unfolds with a beginning, middle, and an end, which
has a progression that is logical, coherent, and meaningful, he can only do so
because there is Story.
The difference might be
illustrated with miracles. Redemptive history as it is recorded in the Bible
was relatively devoid of miracles; they came few and far between. Only during
specific redemptive events, such as the Exodus, did miracles teem. They appear
sporadically elsewhere in Old Testament history. But when Jesus appears, the
New Testament record bubbles over with miracles. John deliberated over the
seven he included in his gospel because he writes: And truly Jesus did many other signs
in the presence of His disciples, which are not written in this book; but these
are written that you may believe that Jesus is the Christ, the Son of God, and
that believing you may have life in His name. John
20:30, 31. John chose the seven miracles he records for a specific reason - to
persuade the reader to believe in the Son of God. We may say that Jesus
performed a miracle to authenticate his claim as the
God-man and to validate his message - the gospel. Or, we may say that Jesus
proved himself and his message to be true by way of miracle. In the first instance,
we have a specific event in mind; in the second, we have an idea of what
characterizes the event. We may simply point to the act of Jesus turning water
into wine on the one hand, or we may think more deeply, on the other, and ponder
the supernatural character of that act and see that it typifies what is true
about all such acts, that they are indicative of a person in which everything
about him is supernatural.
In the same way are stories
related to Story. We talk about Story in the abstract because that is where it
belongs. But without the abstract, the concrete would be impossible. Without
the idea of Story, there could be no such things as stories. There must be the
metaphysical for there to be the physical. There must be the idea before there
is a materialization of that idea in the physical world in which we live. Plato
labored over the problem of form and matter, and in a way, that is what we are
doing here.
Consider the question, Where did
Story come from? How is it that there is Story in the first place that makes
stories a possibility? The answer lies in the Triune God. Before creation ever
was, there was God in three Persons. He was Story and he was the story. He was
Story because everything necessary for a story resided in him - Characters,
interrelation, communion. God was his own story because he was Story.
In the internal counsel of the
Triune God, there was the purpose to create. With the creation, God brought
story into being in a different realm. A part of that story is the creation of
one who bears the image of God, and as image bearer, he has the capacity to
reflect God as story-maker. It may be that
story-making reflects God more fully than any other creative attribute man has.
In story-making, the author is creating an imaginative world in which he
purposes his characters to behave in a certain manner and for particular ends -
ends that please him as the author. Christopher Miller struck at the heart of
this as he, in effect, compares our authorship with the authorship of God:
As an author, I don’t ask my
characters for permission to let them suffer or face evil. I know the troubles
they face will ultimately be for their good. I don’t revel in the difficulty,
but without trials their overcoming would not nearly be as good. We do not know
what is good for us. Our perspective is two dimensional, the Author alone has
the full picture.
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