Showing posts with label allegory. Show all posts
Showing posts with label allegory. Show all posts

Tuesday, March 27, 2012

Night of the Living Dead Christian, by Matt Mikalatos. March 2012 CSFF Blog Tour, Day 2


Night of the Living Dead Christian has a mix of reviews on Amazon.
The lowest rated review was a single two-star in which the person simply said he could not get into the book, which happens, of course. I’m sure there are many out there who would find it hard to get into the Harry Potter books, though I suspect they are related to Charles Winchester III.

I read several of the three star reviews. They generally came down on the favorable side, but often just barely. Questionable use of zany humor, an odd presence of werewolves and zombies, and an incoherent flow of the story were some of the reasons proffered for the unenthusiastic ratings. Regardless, there is one thing that they all seemed to get from the story, and that was the need for transformation.

I agree with that. Transformation, and more precisely, transformation that comes only from Christ is the essential message of the book.

But there are some serious problems. In a post for a previous blog tour I argued that a novel is robustly Christian only if it brings the salient truths of the gospel into the story (October 2011 Tour, Day Three – The Bone House. I restricted the scope of those truths to the reformed doctrines of grace defined by the acronym, TULIP (Total Depravity, Unconditional Election, Limited Atonement, Irresistible Grace, and Perseverance of the Saints). I believe the doctrines of grace are a correct and therefore biblical understanding of what the gospel is. As such, they are the measuring rod for what makes a story Christian. In my estimation, Night of the Living Dead Christian fails to meet that standard.

The failure is at the point of Total Depravity. Total Depravity is simply this, that every person born into this world is a sinner. Each of us are conceived in sin (sinners from the moment of conception) as David testifies, “Behold, I was brought forth in iniquity, and in sin did my mother conceive me”, Psalm 51:5. There is nothing good in us, nothing that seeks after God or his ways. There is nothing in us that enables us to seek him because the spiritual things of God are things the natural man is incapable of understanding, 1 Cor 2:14. It is not that he tries to understand them but for whatever reason, fails to. It is that the things of God are foolishness to him and he does not want to have anything to do with them.

The werewolf Luther Martin, the character that the story centers on, is not like this. We catch this early on, in the werewolf’s own words:

None of use desire to remain wolves. All of us desire to remain wolves. It is the nature of the werewolf to be both man and wolf, and for many years I was satisfied – no, pleased – to be both man and wolf. (p 47)

The imagery (or allegory, if you will) of a werewolf as representing the unconverted man is wrong. Here is the picture: the base, amoral animal nature of the wolf represents the bad of human nature while the intelligent, sane and moral nature of the man represents the good. But the sinner from birth does not have a good side. In fact, a werewolf like the one in our story, who has two conflicting natures at war with each other, can only be true of the Christian, for the Christian alone is the one who has been freed from his sin which seeks to regain mastery over him –

For the desires of the flesh are against the Spirit, and the desires of the Spirit are against the flesh, for these are opposed to each other, to keep you from doing the things you want to do (Gal 5:17).

Luther Martin is no such Christian. Though he grew up in the home of a Lutheran minister, he rejects any claim to be a Christian. He paints some of the integral doctrines of the Christian faith in farcical terms. The reformed doctrine of Unconditional Election is treated this way, as well as the significance of the atonement:

Thus we come to the likewise ridiculous Christian sentiment that he [God] has “chosen” or “elected” us to be in relationship with him, and that he loves us and adopts us as his progeny. It is like saying I have tipped over an anthill and selected certain ones of them to be my children. Not merely that, but I have chosen to sacrifice my human child so their accursed anthill can be spared destruction, and that I am making this handful of ants the heirs of my vast estate – of my house, my car, my food, my clothes, my money. Certainly this comparison does not even begin to scratch the surface of the ridiculous claims of the Christian faith. (p 156)

This underscores that the gospel is foolishness to the sinner, and Luther Martin is such a sinner. Matt Mikalatos’s use of a werewolf to represent the condition of human beings without the grace of God in Christ is simply wrong.

One might counter by saying that any allegory is going to breakdown at some point and that you cannot expect a one-to-one correspondence between the allegorical character and the real-life one which it represents. I agree, but the werewolf was chosen because, in Mr. Mikalatos’s theology, the sinner is not totally depraved, just as the werewolf is not totally animal.

That is a serious flaw in the theology that underlies Mr. Mikalatos’s novel, and it has serious implications. I will address this more in my third post.

Thanks to Saltriver (Tyndale House Publishers) for kindly providing a copy of Night of the Living Dead Christian for review on the March 2012 Christian Science Fiction and Fantasy Blog Tour.

Matt Mikalatos’s Web Page
List of CSFF Blog Tour Participants
Night of the Living Dead Christian on Amazon.

Monday, March 26, 2012

Night of the Living Dead Christian, by Matt Mikalatos. March 2012 CSFF Blog Tour, Day 1


Matt Mikalatos, the author and first person protagonist, has assumed the responsibility of neighborhood watch. On the particular evening in which the story opens, Matt comes across Dr. Culberton, the stereotypical mad scientist who, especially at this first encounter, has a remarkable resemblance to Dr. Emmet Brown of Back to the Future. Culberton is assisted by his android, The Hibbs 3000. Together they are in search of werewolves, not to kill, necessarily, but to study and cure if possible. Their mission, in the words of Culberton, “is both a spiritual and a scientific endeavor.”

Though I have never read Imaginary Jesus, what I have heard, especially in the endorsements for that novel, Matt Mikalatos (the real one, that is) is noted for a zany humor, which not only makes the reader laugh but also facilitates the conveyance of the message. Obviously, I am not against humor, I like to laugh as much as the next person, and because of that, I have a fondness for some zany characters that some might raise an eyebrow at – Spongebob Squarepants, for instance. Humor can do many things for a story, the most important of which is to enhance its friendliness. In Night of the Living Dead, it often worked well, but sometimes it got in the way. With such a humorous tone, I think a reader’s tendency is too often to look for the next laugh and miss the message. A rereading of the book might be necessary to scoop up what eludes the first time round. It also poses several general questions about humor’s contribution: Is it natural? Does it underscore? Does it detract? Can it be overbearing? Can it be monotonous?

But it is not the humor that I am concerned about.

Monsters wend their way in and out, representing loosely allegorical situations and phenomena of the way Christianity is perceived and practiced. For me, and it may be because I’m rather thick-headed when it comes to allegory, I did not make what probably should have been obvious connections until the author was kind enough to tie pieces together at the end. The fact that I wasn’t getting it as I was reading was a little frustrating, but I knew that was mostly on me, and I was pretty confident that the author suspected there were some boneheads like me out there, and that he would help us out.

Regardless, it is not the allegory that I am concerned about.

I did not miss the most obvious connection, and that is the werewolf the story settles onto, and more particularly the quest for a cure. The predicament of the werewolf was that he became something that he could not help to become, something vile and violent and offensive, which destroys the most intimate human bond he had – his marriage. To be cured is something the werewolf wants to do, and at the same time, does not want to do. That antinomy serves as a premise that underlies the theology of the novel. The werewolf is the quintessential allegory of the book. The message and theology of the story center on him. If you understand the werewolf, you understand what the novel is trying to say about the gospel.

I think many are of the same mind as Chris Fabry (Almost Heaven), whose endorsing remark succinctly states what the reader of NLDC is faced with. Chris writes:

“Matt Mikalatos gets what the gospel is all about. It’s not about reform or spiritual cosmetology. We’re dead, we’re monstrous, we’re enemies of God. But because of his great mercy, he desires a relationship. He wants us to become like him”

I agree with the part about our condition as dead and enemies of God, but the werewolf of Mr. Mikalatos’s story is not really like that. The second part about what God desires is iffy as well. How so? And what is at the root of the theology of Matt’s book? Those are things I want to get into with tomorrow’s post.

Thanks to Saltriver (Tyndale House Publishers) for kindly providing a copy of Night of the Living Dead Christian for review on the March 2012 Christian Science Fiction and Fantasy Blog Tour.

Matt Mikalatos’s Web Page
List of CSFF Blog Tour Participants
Night of the Living Dead Christian on Amazon.